• Home
  • About Us
    • Meet the Directors
    • Core Values
    • Advisory Board
    • Course Partners
  • The Course
  • Faculty
  • A sample week
  • Media
  • Blog
  • Contact Us

    The Alternative Conservatoire

    • Home
    • About Us
      • Meet the Directors
      • Core Values
      • Advisory Board
      • Course Partners
    • The Course
    • Faculty
    • A sample week
    • Media
    • Blog
    • Contact Us

    Dr Joel Bell - Director 

    A Berklee scholar, Joel wandered from his Jazz path after a decade spent playing with everyone from Even Parker and Lionel Loueke through to Maori Shamen, poets, classical and near and far eastern musicians during a 13-year residency at London’s Club Inegales with Peter Wiegold - a leader in innovation around conducted improvisation and cross-cultural music making.

    His composition studies began at the Royal Birmingham Conservatoire under the father of fusion music, John Mayer, but it was composing for the Atlas Ensemble (a 30-piece orchestra showcasing the foremost artists from world traditions) that led him to an intense period of study, drawing out new innovations in guitar technique. Resurrecting Mississippi Fred Mcdowell’s ‘half-slide’ technique allowed the pioneering incorporation of micro-inflections drawn from music of the Near and Far East, and a quest to emulate the shamanistic cry of the Indian Sarangi.

    In 2011 Joel completed his PhD research focussing on a portfolio of pieces exploring impact points between composition and improvisation under the supervision of Richard Barrett and Peter Wiegold. 

    Joel is featured on Notes Inegales albums Envoi, Expect the Unexpected, Van Diemens Land (with  mercury nominated singer Sam Lee), Christophe Fellay’s In Petto and with Kate Halsall on Horizontal Transfer and Miniaturised Concertos. He has written for Birmingham Contemporary Music Group, Piano Circus, jazz pianist Liam Noble, Southbank Sinfonia, Juliet Fraser, Atlas and Nieuw Ensembles, an arrangement of Varese’s ‘Amerique’ and a reworking of Elliot Carter materials with electric jazz trio featuring saxophonist Tim Garland. Concerts and festivals have been in Hong Kong, Singapore, Canada, Europe and the UK. Joel has premiered music by Michael Finissey, performed with the BBC Singers the music of Arvo Part (to the composer) and James Tenney, as well as being broadcast by BBC Radio 3, BBC Arabic, Swiss and Korean radio and also spoken about musical symmetry on BBC Radio 4.

    Joel has lectured and examined on rock, pop, contemporary music, jazz and world music at Kent and Brunel universities (where he also directs the Brunel Fusion Ensemble). He has been a speaker on improvisation, his work and music at academic conferences across the world and on BBC Radio 4. He has written and led innovative undergraduate improvisation and performances modules embracing contemporary and cross-cultural disciplines and mentored Masters students and young professionals at Brunel University, Leeds College of Music and Peter Wiegold's Academy Inegales. He directed the five day intensive residential improvisation course at Benslow music and is an advocate for alternative pedagogy and the traditional apprentice system. 

    At present he leads the GOKUMI Ensemble, a radical group spanning jazz, world, post-classical and folk traditions.

    website

    Dr Bushra El-Turk - Director  

    Bushra is a composer and educator who has worked in the zeitgeist of cross-cultural music making, composing for the ground breaking Atlas Ensemble in 2011 through to her own genre-defying Ensemble Zar.  Born in London, she has written over 60 works for the concert hall, the stage, film, TV and live art performance. Her work is often defined by the integration of musics and musicians from different cultural traditions, and the compulsion to highlight and challenge socio-cultural issues. Her works blur written and improvisational elements, forbearing the influence of her Lebanese roots all the while leaning towards the theatrical, creating works that are '...ironic...', '...arresting...' and of 'limitless imagination'. 

    She currently teaches at Royal College of Music Junior Department but has also enjoyed mentoring on young composer schemes including Tŷ Cerdd(Wales), National Concert Hall Ireland Creative Lab Programme and NonClassical Associate Composers Scheme (London)  

    In 2010, she co-founded and ran Chelsea Music Academy, a centre for Middle-Eastern and Western Music in London, she curated and coordinated inter-cultural workshops that reached all pockets of the London cosmopolitan community for children, teens and adults. They partnered with the BBC Symphony Orchestra, Leighton House Museum, the Kensington Palace Youth Programme, Fête de la Musique Exhibition Road Music Day, Arab-British Centre (ABC) and the Council for British-Arab Understanding (CAABU) to hold workshops in introducing the music of the Middle East and exploring where this rich music stands in contemporary multi-cultural contexts.   

    In 2017, she completed an AHRC funded PhD in Musical Composition at the University of Birmingham under the supervision of Michael Zev Gordon where she explored the integration of Middle-Eastern and Western art music.  

    Her research areas include contemporary composition, cross-arts and cross cultural collaborations and the integration of composition and improvisation. She has spoken and presented her music at festivals, universities and conservatoire conferences - namely Estoril Music Festival (Portugal), Cardiff, Bristol and Birmingham Universities and at the Royal College of Music and Guildhall School Music and Drama - speaking on composition to improvisation spectrum, notation and the integration of Eastern and Western art music and the spectrum within. In June 2021, she was keynote speaker in composition of Trans-traditional Istanbul Conference. 

    website
    book a pre-application portfolio discussion
    Meet some of the mentors
    • Log out
    Powered by Bandzoogle